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Though omnis aren’t as commonplace as they once were back in the day, the sui generis 101s set a standard of excellence and sheer lifelike excitement that has kept them the foremost omnidirectional speakers for more than thirty years. What it does do is produce the most enveloping soundstage this side of a surround system, absolutely thrilling large-scale dynamics, and timbres that are very true-to-life (in frequency response, the MBL is an exceedingly flat-measuring loudspeaker). Wolfgang Meletzsky’s omnidirectional “Radialstrahler”-a truly ingenious pumpkin-shaped contraption constructed of aluminum/magnesium “petals” that flex in and out in response to an audio signal (like the pleats of an accordion), producing near-equal sound pressure throughout 360 degrees (rather, dare I say it, like a pulsating, er, pumpkin)-is certainly a brilliant concept and happily it doesn’t blow up or poison the air.
#Klipsch kg 4.2 vs. advent legacy ii driver#
Not all of them caught on-for good reasons (the joke about the Walsh driver used to be that it took 200W to get it to make sound and 201W to blow it up, while the Hill produced enough ozone to choke a horse). In the history of high-end audio, there have been a number of fascinating and genuinely innovative drivers-Alan Hill’s plasma tweeter and Lincoln Walsh’s “transmission-line” cone, for examples. That’s 60 years of advancement in one moment. Most amazing is that you can buy it today. It was the first “absolute sound.” Imagine the sound of a windup Victrola being replaced overnight by the sound of unamplified live instruments in space.
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A Klipschorn provides a detailed wall of sound that emanates from the corner of a room.
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Klipsch’s four principles of sound reproduction are: efficiency, flat frequency response, controlled directivity, and dynamic range. The base horn design has never been improved-it was perfect from day one.
#Klipsch kg 4.2 vs. advent legacy ii full#
(Without this, a low-frequency horn would be the size of a full room.) In 1946, the first 20 Klipsch loudspeakers were assembled in a tin shack in Hope, Arkansas. The sound is mechanically amplified by the expanding “folds” in the passageway of the horn. Paul Klipsch, inventor and entrepreneur, patented the idea of assembling chambers and passageways for a bass driver’s sound waves to gradually expand as they travel out to the opening. The Klipschorn is a landmark product due to its folded horn design. The Klipschorn is the only speaker that has been in continuous production for over 60 years. From each writer’s picks we selected, by consensus of the senior editorial staff, “The 12 Most Significant Loudspeakers of All Time.” Our final verdict is presented in ascending order of significance (#1 being the most significant).
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Although each writer worked in isolation, the individual choices exhibited remarkable unanimity. These are the speakers that introduced a new technology, changed the market, influenced future designs, or revealed some previously unheard aspect of sound quality. For this special loudspeaker-focus issue, I asked our most senior contributors to each name the twelve loudspeakers that had the greatest impact on high-end audio.